1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.  Related Paintings of Paolo Veronese :. | venice triumphant | doge sebastiano venier,s thanksgiving for the battle of lepanto | christ and the centurion | Mars and Venus United by Love | adoration of the magi |
Related Artists:
William Lionel Wyllie
(often simply W L Wyllie) (5 July 1851 - 6 April 1931) was a prolific English painter of maritime themes in both oils and watercolours. Wyllie was born on 5 July 1851 at 67 Albany Street, Camden, London, the elder son of William Morison Wyllie (d. 1895), a prosperous minor-genre painter living in London and Wimereux, France. His mother was a singer, Katherine Smythe Wyllie (d. 1872). Most of his early summers were spent in France with his parents. He began to draw from an early age, and his natural talent was encouraged by his father and by Lionel Smythe, his step brother. He was given a thorough artistic education; first at the Heatherley School of Fine Art, and then in 1866, aged 15, at the Royal Academy Schools. At the Royal Academy he studied under Edwin Henry Landseer, John Everett Millais and Frederic Leighton, among others.[2] He further demonstrated his precocious talent when he won the Turner Gold Medal in 1869 at the age of eighteen with Dawn after a Storm.
Nebbia, Cesare
Italian, 1536-1614 Italian painter and draughtsman. He was a pupil of GIROLAMO MUZIANO and much influenced by Federico Zuccaro, and Vasari cited him as a promising painter. Between 1562 and 1575 Nebbia was continuously employed in Orvieto, producing altarpieces and frescoes in the cathedral, for example the Marriage at Cana (1569), the Crucifixion (1574) and the Crowning with Thorns (1575; all Orvieto, Mus. Opera Duomo). In Rome, where from 1579 his name appeared in the register of the Accademia di S Luca, he executed an Ecce homo and another Crowning with Thorns (1576; oratory of the Gonfalone), a Noli me tangere (1579; S Maria degli Angeli), decorations in the Sforza Chapel, S Maria Maggiore (1582), Heraclius Taking the Cross (1582-4; Santissimo Crocifisso), the Martyrdom of St Lawrence (1589; S Susanna) and decorations in the Borghese Chapel, Trinit? dei Monti (c. 1590). Under Pope Sixtus V he was responsible, with Giovanni Guerra, for the decorations in the Sistine Library, and he also worked on the Scala Santa, in the Vatican Palace and in the Lateran Palace. In 1597 he was principal of the Accademia di S Luca. Two years later he received payment for the cartoons of St Matthew and St Mark for the mosaics in the cupola of St Peter's. The following year he painted the Dream of Constantine (S Giovanni in Laterano). In 1603-4 he decorated, with Zuccaro, the hall in the Collegio Borromeo, Pavia. He retired to Orvieto in 1609.
Luis Tristan
Toledo ca ,1585-1624